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Dragged Into Love (Þrymskviða)
When Theo’s landlord steals his guitar in lieu of overdue rent, he tells Theo he will only return the instrument if he can go on a date with Theo’s twin sister. With Fran less than willing to play along, Theo is left with one option: to go in her place.
Love’s Code (Ariadne and Theseus)
In order to keep his job, Andre must pass an examination. However, his unspoken love for fellow programmer Eren proves a constant distraction, as does the identity of a mysterious benefactor who offers helps along the way.
Guessing Games (Rumplestiltskin)
A little white lie, told in his job interview, won Sasha his dream role. Only now he faces a pile of work he doesn’t know how to complete. When someone comes along with a solution to his dilemma, he is thrilled. But what price will he have to pay?
Assignations and Ultimatums (The Strange Elopement of Tinirau)
Hunter and Ross are deeply in love, but Ross’s father is intent on setting him up with undesirable, yet powerful, older men. That’s bad enough, but the situation worsens when the latest of these potential partners turns out to be Ross’s boss.
Lost and Found (Cinderella)
Attendance at the company’s masquerade ball is compulsory. Cillian intends a swift departure once his presence has been noted, but he changes his mind when a dashing stranger asks him to dance. Love is in the air…until he uncovers the man’s identity.
A Debt is a Debt (Beauty and the Beast)
Dunstan Griffin is not a man accustomed to letting a debt slide. Therefore, when Alfred Siskin offers the EA services of his son, Wynn, in lieu of payment, Dunstan accepts. He intends to make the most of his new worker, but soon his desires change.
Post: The Lure of Retellings
Retellings of fairytales and myths have become hugely popular in recent years, and I am following that trend with Beastly Businessmen and Guitar Gods. What is the lure of returning again and again to these stories? I think the answer lies in their archetypes. Fairytales and myths offer recognisable characters and situations that can be adapted with ease, slotting effortlessly into different settings and genres. They defy the aging process, their messages remaining relevant throughout the centuries, and they offer clear-cut plot markers that guide the writer on their journey.
These stories also avoid the issues of tropes and familiarity that plague some books, as readers readily accept both in a fairytale context when they wouldn’t do so in, say, a YA dystopian piece. In retellings, familiar characters and plot lines form part of the appeal. We like to see out favourite stories recast in a new and interesting light, just as we enjoy retellings of the classics in either a humorous way or in a manner that gives voice to a different character than in the original work.
With centuries-worth of literature out there, finding an absolutely original idea is the writer’s equivalent of a needle in a haystack. But that doesn’t have to be a bad thing. No one wants to read a story that seems a carbon copy of one they’ve already read, but, for me, retellings of fairytales and myths tend to fall on the right side of that invisible line. They offer the pleasure of returning to beloved stories of our youth, but having the opportunity to see them presented in a delightfully different way that gives them a sense of freshness. I certainly hope that readers will find something new and engaging to take away from my retellings in Beastly Businessmen and Guitar Gods.
Excerpt(From 'A Debt is a Debt')
Mr Siskin stood, but rather than leaving, he dropped to his knees. “I beg you, Mr Griffin, give me more time, or allow me to repay you in some other way.”
The display irked Dunstan, but he tried to keep his expression neutral, resisting the two polar urges that filled him: to strike out at such unmanly behaviour or to give in to Mr Siskin’s passionate plea. The former reaction was too violent; the latter would make him look weak. He ought to have Maria summon security and throw the man bodily from the building, yet he somehow found himself saying, “What did you have in mind?”
Mr Siskin looked up, his eyes burning with the fierce light of hope, and Dunstan felt a burst of pride. He had done this. With a mere handful of words he had reduced the man to a grovelling wreck, only to then transform him into an eager and obedient dog, begging at its master’s feet. It was so enthralling that he decided he would hear Mr Siskin out. Right now, Dunstan was like a god, and maybe he would even choose to be benevolent.
“My youngest son, Wynn, is a hard worker…conscientious. He would work for you for free until the debt is paid off.”
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